Blake

The mysterious Cambridge library tower, supposedly full of banned books, is opening to the public

At 157ft tall and 17 floors, Cambridge University Library’s tower can be seen for miles around but has largely kept its secrets to itself and its contents (approaching one million books) have given rise to much speculation.

But now in a new free exhibition, Tall Tales: Secrets of the tower, we reveal some of the truth about what the great skyscraper really holds.  

From The mysterious Cambridge library tower, supposedly full of banned books, is opening to the public | The Independent

CBC is destroying its broadcast archives after they’re digitized

But internationally accepted standards and best practices of audiovisual preservation call for retention of originals, due to the unknown characteristics of digitization, such as long-term stability and vulnerability to electromagnetic interference, the foundation said.

It also questioned why Radio-Canada was preserving its master recordings after making digital copies but CBC had opted to rely only on digital copies.

“Such inequitable treatment of cultural treasures is not acceptable,” said Wilkinson.

From CBC is destroying its broadcast archives after they’re digitized | The Star

The Bookmobile Interview From StoryCorps

Growing up in the 1960s, Storm Reyes lived and worked in migrant labor camps across Washington state. When she was 8 years old, she began working full-time picking fruit for under a dollar an hour.

At StoryCorps, Storm shared stories of her difficult childhood with her son, Jeremy Hagquist, and remembers the day a bookmobile unexpectedly arrived, opening up new worlds and bringing hope.

From The Bookmobile – StoryCorps

Jeremy Keith on forced SSL, AMP, and abuse of power

I strongly disagree. If you also disagree, I encourage you to make your voice heard. Remember, this isn’t about whether you think that we should all switch to HTTPS—we’re all in agreement on that. This is about whether it’s okay to create collateral damage by deliberately denying people access to web features in order to further a completely separate agenda.

This isn’t about you or me. This is about all those people who could potentially become makers of the web. We should be welcoming them, not creating barriers for them to overcome.

From Adactio: Journal—Ends and means

Google’s “right to be forgotten” Transparency Report

In May 2014, in a landmark ruling, the European Court of Justice established the “right to be forgotten,” or more accurately, the “right to delist,” allowing Europeans to ask search engines to delist information about themselves from search results. In deciding what to delist, search engines like Google must consider if the information in question is “inaccurate, inadequate, irrelevant or excessive”—and whether there is a public interest in the information remaining available in search results.

Understanding how we make these types of decisions—and how people are using new rights like those granted by the European Court—is important. Since 2014, we’ve provided information about “right to be forgotten” delisting requests in our Transparency Report, including the number of URLs submitted to us, the number of URLs delisted and not delisted, and anonymized examples of some of the requests we have received.

From Updating our “right to be forgotten” Transparency Report

‘Frankenstein’ Manuscript Shows the Evolution of Mary Shelley’s Monster

In honor of the 200th anniversary of Frankenstein’s publication, the British publisher SP Books is releasing a facsimile of Shelley’s original manuscript. According to Roslyn Sulcas of the New York Times, the limited run will produce 1,000 copies of the facsimile, which will be available for purchase starting March 15.

From ‘Frankenstein’ Manuscript Shows the Evolution of Mary Shelley’s Monster | Smart News | Smithsonian

Book clinic: why do publishers still issue hardbacks?

However, there are no signs that the practice is coming to an end: last year sales of hardback fiction grew 11%. When the ebook arrived 10 years ago, some pundits suggested format did not matter. But they were wrong. A beautiful hardback is a joy, something to cherish, shelve and pass on, and readers are prepared to pay for that just as some people still prefer the cinema over television.

From Book clinic: why do publishers still issue hardbacks? | Books | The Guardian