June 2002

Only Librarian in World Included in Facets Survey

Steve Fesenmaier writes \”
Facets Multimedia, arguably the world\’s highest quality distributor of videos and DVDs, has published its second Movie Movers Video Guide. This year they asked eighty people around the world – \”filmmakers, cinematographers, writers, artists and movie buffs\” to send them their list of their \”ten most influential films\”. I was one of those people – here is the list I gave them…

Steve Fesenmaier writes \”
Facets Multimedia, arguably the world\’s highest quality distributor of videos and DVDs, has published its second Movie Movers Video Guide. This year they asked eighty people around the world – \”filmmakers, cinematographers, writers, artists and movie buffs\” to send them their list of their \”ten most influential films\”. I was one of those people – here is the list I gave them…
1. WR: Mysteries of the Organism (Makavejev)

2. Last Tango in Paris (Bertolucci)

3. Chulas Fronteras (Blank)

4. Matewan (Sayles)

5. Roger and Me (Moore)

6. 2001: A Space Odyssey

7. Weekend (Godard)

8. Communications from Weber (Gates)

9. Dancing Outlaw (Young)

10. Brothers Quay shorts

These films, during my near thirty years professionally exhibiting movies, here and in Minnesota, affected my life – they were more than films, they became landmarks for my life – emotionally, ethically, spiritually. \”WR\” caused me to enter a whole New World, one of amazing humor and clarity. To me Dusan Makavejev was St. Paul in person, preaching the new Gospel. \”Tango\” has become the film that emotionally changed my life, showing me that other people feel the great despair and elation that I do. I have been in Paris several times, once on New Year\’s Eve, by myself, lost in a world of strangers from Africa. I know how Marlon felt….\”Chulas\” gave me back America. More than any film, or even any trip, it made me see how exotic and exciting my own backyard is. After I first showed it, I had to see more films by Les Blank, who now is a friend. I helped him make his great polka film, \”In HeavenThere is No Beer?\” Blank\’s films, more than any filmmakers, has opened my eyes to the gigantic worlds each person inhabits.

The Brothers Quay also do this – their sheer pantheism literally shows the world as it really is…totally alive, totally active, totally beautiful. I once
looked into a coke bottle and saw a whirling universe – both Blank and
the Quay Brothers visualize this sense of total aliveness.



\”Matewan\” changed my life – I worked on it for years with Sayles and his
producer Maggie Renzi. Since working on the script, the production, the
WV premiere, the exhibitions around the state and country, writing about
it on and off for ten years in Graffiti, this film represents the
positive things I have been able to do while living in West Virginia.

One labor historian I know told me that the film was a powerful force in
motivating a coal mine strike in Southern WV and northern Virginia about
a decade ago. This film, along with \”Harlan County, USA\” (which almost
made my list) has shown the people suffering in the coal fields, and
people all over the world that their suffering is real – and caused not
by God, but by fellow, merciless, greedy human beings. \”Roger and Me\”
also shows this incredible class warfare that does exist in this
country. It beat out \”Harlan County\” because it shows many of the same
things that \”Harlan\” does, but does it with great black humor. Michael
Moore has also created my favorite TV series of all time, \”TV Nation\”.



\”2001\” and \”Weekend\” are my two favorite fantasy films of all time. It
is interesting to juxtapose them – one using the ultimate special
effects, the other creating the greatest car wreck in history, and
throwing in Little Beau Peep on top of it. \”Weekend\” was the first
foreign film I ever saw at a theater –after seeing \”I Am Curious
(yellow)\”. Both were shown at a former porno theater in Minneapolis,
rented by the distributor to show the first commercial film with real
nudity in it. I saw the director on the Johnny Carson Show, and was
excited. But I was even more excited when I saw \”Weekend\” a few months
latter – it was a film, which showed the horrors of modern living just,
as I saw them. Of course, \”Weekend\” carries the horror into the realm of
fairy tale and excess – just as \”2001\” carried the Apollo program off
into the stars. Most people, after they watch either film, will say,
\”What the hell does that thing mean??!!\” This is the indication that
they are really working…undermining our belief in daily reality.



Finally, I had to include two films made in West Virginia by West
Virginians – \”Weber\” and \”Outlaw\”. I had to chose \”Weber\” over \”Outlaw\”
because it is about ten times denser, ten times more Godardian. The
wonderful letters on the screen, the jumpcuts, the montage – very
Godardian, very exciting. \”Outlaw\” is more like a Les Blank film….all of
Les\’ films are full of humor and life, just as \”Outlaw\” is. One friend
called \”Outlaw\” \”the worst film I have ever seen….\” She just hated its
portrayal of a real WV hillbilly. She is like many West Virginians, a
\”Greenbrier Wvian\”, loving the extreme wealth and beauty of the
Greenbrier Resort. On the other side is the \”Deer Hunter\” Wvian – and
both WV films show that super intense side of the state. \”Weber\” was
shown at the NY Gay & Lesbian Film Fest, and called \”the best film that
year\”. It also toured England as part of a series. I often show it at
presentations because it only exists in 16 mm and always gets a great
reaction. \”Outlaw\” is the best selling WV produced film, and certainly
the best known. All of the \”Different Drummer\” films are great, starting
with Jacob Young\’s first one in the series, \”Point Man for God\”. I wish
that I could have included Gates\’ \”In Memory of the Land and People\”,
John Nakashima\’s \”Mountaineer\”, and many other films. I should do a \”Top
Ten WV Film List\” – which would have to include \”The Night of the
Hunter\” and the films by Pare Lorentz of Clarksburg.



During my very first week in the film exhibition world in Minneapolis, I
was assigned the job of \”sprucing up the foyer\” at the Bell Museum where
we ran films. Recently a British film magazine, \”Sight and Sound\”, had
just released its global film survey done once each decade, asking film
critics for their list of \”Ten Greatest\”. I blew up the pages, and
mounted them on a wooden frame. For years people milled around the
triangle, looking at the six pages of vastly different lists. None
seemed to overlap, but indeed, there was some consensus. \”Citizen Kane\”
almost made every list…and a few other classics. This publication from
Facets was based on this survey, and likewise shows that every person
loves mostly different things – but there are some things that are near
universal. I am proud to be the only librarian in the world to be asked
to share their list for Facets.
\”

JAMA Reports on Misleading Studies

SomeOne writes \”In a special issue on peer review, the Journal of the American Medical Association (JAMA) reports that published studies are sometimes misleading and fail to mention weaknesses. Some of the problem can be traced to conflicts of interest among peer reviewers. The story is available at the New York Times (free registration required).

NYTimes Story \”

See Also.

Nature provided to World’s Poorest Countries

Lee Hadden Writes: \” To help bridge the gap between the richest and poorest nations, some
attempt is being made to make scientific information available through
libraries in the poorest countries.

See the article in: Nature 417, 365 (2002);
From 24 May, Nature and all other journals published by the Nature
Publishing Group will become available through the HINARI scheme. That,
coupled with the SciDev.Net free-access website that was spun off from
Nature last year (see scidev.net), is one step towards the goals
outlined by Sachs\’ committee.


Read more about it at: nature.com (Subscription required).
\”

Laura Bush Foundation for Libraries Off To Strong Start

Gary D. Price, The Virtual Acquisition Shelf and News Desk Guy, sent over This AP Story that says One year after launching a foundation to buy books for
America\’s libraries, first lady Laura Bush said Tuesday that she\’s off to a $5
million start — with help from her mother-in-law.

Mrs. Bush said the donations will help expand the collections of neglected
libraries “from fact and fiction to periodicals and prize-winning books.\’\’

“… And the wonderful thing is, once a child learns to use a library, the
doors to learning are always open.\’\’

Censoring Literary Works in the name of Political Correctness not so Correct

The New York State Department of Education is under fire for censoring material used in its statewide exams because it may be offensive to some individuals. \”Authors, scholars, and \”civil-libertarians\” are outraged at the idea that literary works are being altered from the originals in the name of political correctness. Judy Blume, who is no stranger to censorship is quoted as saying,

\”In this so-called quest to show sensitivity to all, they show respect for no one.\” Read More

Technology and the School Library: Epilogue

Jeffrey Hastings writes:


A few weeks ago I posted an essay entitled \”Technology and The School Library: Great Expectations and Unexpected Consequences.\”



An unexpected consequence followed. People actually read the lengthy and rambling article–both on LM_NET and here–and wrote me to thank me for telling a largely untold story about the state of the school librarianship. I heard from lots of them. They told me that my career retrospective was \”eerily familiar\” because, they said, it was essentially their story, too.



In the essay I talked about facing the decision to quit school librarianship and retreat into classroom teaching after having faced a series of disappointments over the last decade. Though I mentioned a number of challenges and obstacles, most related to how technology, which presents so much promise and so many potentials to our profession in theory, had, in fact, had an adverse impact on both my ability to teach and my \”brick and mortar\” school library operation in practice.

Jeffrey Hastings writes:


A few weeks ago I posted an essay entitled \”Technology and The School Library: Great Expectations and Unexpected Consequences.\”



An unexpected consequence followed. People actually read the lengthy and rambling article–both on LM_NET and here–and wrote me to thank me for telling a largely untold story about the state of the school librarianship. I heard from lots of them. They told me that my career retrospective was \”eerily familiar\” because, they said, it was essentially their story, too.



In the essay I talked about facing the decision to quit school librarianship and retreat into classroom teaching after having faced a series of disappointments over the last decade. Though I mentioned a number of challenges and obstacles, most related to how technology, which presents so much promise and so many potentials to our profession in theory, had, in fact, had an adverse impact on both my ability to teach and my \”brick and mortar\” school library operation in practice.A couple of professional journals expressed interest in the essay following the LM_NET posting, but ultimately–and somewhat predictably– they found the format unsuitable. I can\’t blame them. But, they also expressed misgivings about the tone of the piece, suggesting that it was just too pessimistic to publish as it was–at least without some overall mitigation or the presentation of another piece in counterpoint.



I\’d contest that. I thought the essay merely told the truth. I thought it told the truth about some of the very serious problems we face as a profession and I wrote it with the sole purpose of challenging myself to try and sort them out through revisiting my experience in the business. Once I\’d written it, I then chose to share it in an attempt to call the profession\’s attention to some of our shared challenges it illustrates. I did this not to admit defeat, but in the hope that it might help a few of us overcome some of our present problems before they overcame us.



Those who wrote me responding to the essay certainly didn\’t find it to be a hopeless rant. Overwhelmingly, their comments were spirited and encouraging. The prevailing attitude was \”yeah, that\’s precisely what has happened to me, too. It\’s frustrating as hell, but please, consider hanging in there, focus on the positive measures you can take to change things; we can beat the circumstances we face.\” People didn\’t write to me to join in on the bitching, they wrote me to rally.



I appreciated the feedback that I received and I wanted to follow up on the essay. I now know what I\’ll be doing in the fall. I thought I\’d share that decision with anyone interested in hearing how things turned out. Here\’s the scoop:



As you may recall, a large share of my dissatisfaction with the gig over the years has come from having all my electronic tools taken over by the tech department. I haven\’t been able to run my own stuff, fix my own stuff, choose my own software, or plan any services, which involved computerized delivery in over five years. It\’s been totally top down. If I got new technology–hardware and software alike– it just dropped from the sky, often beaning me squarely on the noggin. On top of the insult of having my professional prerogatives taken away without discussion on the slim pretense that they involved technology, was the fact that nothing ever seemed to work properly and even the slightest tweaks required layers of communication and excruciating waiting as I watched my teaching opportunities and peer credibility spiral in tandem down the toilet. Nobody cared. Nobody.



Until…As the tech department grew, a network specialist–I\’ll call him \”Pierre\”– was hired. I was astounded when I made requests and he listened. Not only that, he understood; he saw that my needs were unique, my knowledge specialized, and recognized that I was not served well by the one-size-must-fit-all-or-else approach his department lived by. He did his best to accommodate me within the constraints imposed on him, and, once trust was established, he admitted that the best solution would be for me to run my own stuff once again. We both knew it would save loads of cash on man-hours alone for me not to have a bunch of superfluous tech chauffeurs on call, but, unfortunately, he didn\’t have the authority to actually give me back the keys to my car. We knew this years ago, but couldn\’t seem to make any changes. Pierre, moreover, as the tech staff grew, wasn\’t even supposed to deal with piddling issues like the operation of my stuff; there were technicians assigned to that. And some of these technicians were clearly not happy with the suggestion that I could be trusted to run my own LAN, for instance. A school librarian dealing with a computer network? My God, the very idea!



That\’s how it was.



Cut to about three weeks ago:



We are back where my essay left off. I am back in my limping library trying to figure out my options: Do I want to try and get an English job for the fall, open a shiny new library that promises to be, though aesthetically pleasing, functionally worse than the one I\’m in, or drink a quart of Drano? As per usual, my library automation package–a set-it-and-forget-it application– is not working properly. It has been crashing every ten minutes for a couple of weeks in which I have had to watch the same technician try and fix it daily. Not only do I have to watch this theatre of the absurd charade as the black bile rises in my throat to the choking point each day, but–since the technician feels the need to explain to me why it should work (never failing to add that other libraries don\’t have the problems we have)– I have to hear about it, too.



That\’s status quo stuff, though. Not worthy of comment. It\’d been like that for five years plus. Suddenly though, I notice that my new cataloging is being lost. This is more serious than usual. Records appear on some workstations, but not on others. I can pull a record up on the OPAC but not see it at the circulation desk. Weird stuff. And something like this has happened before. Once, a year or two back, about 150 records I had cataloged from scratch disappeared over a weekend. Ouch. They had been there, then vaporized. Tech never recovered them.



I didn\’t want that sort of thing to happen again. I needed to get to the bottom of this fast. I, of course, was sending my daily work orders in on this unsettling problem–but what else was new. Meanwhile kids started coming in upset. They were getting overdue notices for materials that they\’d turned in weeks ago. We were addressing their complaints at the desk between lock-ups. The kids were right, of course–their stuff showed up on our shelves while still listed as checked out on their accounts. Students were pissed. So was I.



After a salvo of calls and e-mails to tech and my Principal (who had my transfer request, by this time, on her desk), Pierre shows up one day. \”Let\’s go get it,\” he says.



\”Get what?\” says I.



\”Your server.\”



And we walk down and get it. We yank it out of the rack and plop it down in my library workroom. \”All yours,\” Pierre says. He then sits down with me and we make a list of what I need for the fall. It is the first time I have been allowed direct input on a computer purchase since the tech department was born. The list is, therefore, fairly large. It will allow me to fully isolate our circ/cat program on it\’s own LAN, freeing it from the downtime/maintenance/and constant updating that the WAN is subject to. We also wrote up a plan to replace a network of donated and scavenged machines I\’d built with new equipment. He tells me he\’ll put it through quietly; if he calls attention to it, he adds, it\’ll get nixed.



Listen to this:

Pierre then leaves. He is my hero for doing the right thing. I log in to the library server solo for the first time to check out the data loss situation. I log into MY server. I can fix stuff now! Now that I can sit down with the program and have a look at all of its components and controls, I, within five minutes, realize to my amazed horror what has been going on. Our clients are set up to access programs delivered from TWO DIFFERENT SERVERS! Somehow, there are TWO VERSIONS of our library data out there–on my server and on another one, somewhere else in the district. For who knows how long, we have been, for instance, saving to one database while reading from another! Holy sh**! I run to the circ desk and check out the desktop. Sure enough: you access a different database depending on how you open the program–using one of the duplicate icons, or through the start menu. No wonder stuff disappeared! No wonder circ records were all mucked up! I couldn\’t believe it. For years I was told that I couldn\’t be allowed to run my own automation package because I might mess something up. Mess something up? Could you possibly mess things up to a greater degree?!



I called Pierre and told him about this \”Evil Twin\” database. I told him to kill it. I told him to kill it so that it could never walk the earth again. And–I was able to do so without rancor. This was because I felt, for the first time, reasonable assurance that I would not encounter such problems again. What a great state of affairs.



And here I sit today. More (guardedly) optimistic than I have been in years. I write you from a little work room–the rest of my library has been gutted for renovation. It will have a facelift for the fall and, I am reasonably confident, lots of fresh electronic tools I can configure and manage myself and/or in true cooperation with the tech department. I bought a whole mess of framed artwork to underscore the work the interior designer did on the facility; can\’t wait to hang it– we should be stylin\’. Sure–the instructional hurdles all remain. The problems with technology vis-à-vis k-12 scholarship that I mentioned in my essay will not disappear. There are attitudes that need to shift; realities that need to be addressed. Now though, I am armed to do battle with them.



So–I\’ve cancelled my transfer request and decided to stay put a while. I\’ve apologized to the Principal at the new school for balking on his offer to open his facility. I have to admit, I still wonder if my transfer request had anything to do with Pierre showing up that day to relocate the server to it\’s rightful home. Had it forced the issue? Don\’t know; don\’t care. What I know is this: I never shut up about doing things right. I was relentlessly truthful about pointing out screw-ups, inefficiencies and bad educational strategies. It bought me mostly grief and frustration–even a reprimand–for most of my career but, right now, it seems that the seeds of protest may have finally borne fruit. I may have gotten results by entirely bypassing the system. It doesn\’t matter to me. As long as I have a chance in the fall. A chance to be a librarian. A chance to make things work. A chance to do good stuff. A chance to teach. And, like most teachers, I guess, I don\’t need much to continue keeping at it–just a little glimpse of light.



Copyright 2002, Jeffrey Hastings.