Libraries

EU and national funders launch plan for free and immediate open access to journals

EU and national funders launch plan for free and immediate open access to journals The architect of ‘Plan-S’, Robert-Jan Smits, hopes to force a major change in the business model of academic publishers. The effect will be similar to the abolition of mobile phone roaming charges in Europe, he says
From EU and national funders launch plan for free and immediate open access to journals | Science|Business
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Lou Reed’s Archive, Coming to the New York Public Library

Anderson, from the beginning, wanted people to have access to the complete collection, and wanted much of it digitized and made available online. So she and Fleming reached out to the performing-arts library, which has extensive music collections and artists’ archives. “We were really impressed with the performing-arts people,” Anderson said.
From Lou Reed’s Archive, Coming to the New York Public Library | The New Yorker
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Why the Future of Data Storage is (Still) Magnetic Tape

It’s true that tape doesn’t offer the fast access speeds of hard disks or semiconductor memories. Still, the medium’s advantages are many. To begin with, tape storage is more energy efficient: Once all the data has been recorded, a tape cartridge simply sits quietly in a slot in a robotic library and doesn’t consume any power at all. Tape is also exceedingly reliable, with error rates that are four to five orders of magnitude lower than those of hard drives. And tape is very secure, with built-in, on-the-fly encryption and additional security provided by the nature of the medium itself. After all, if a cartridge isn’t mounted in a drive, the data cannot be accessed or modified. This “air gap” is particularly attractive in light of the growing rate of data theft through cyberattacks.
From Why the Future of Data Storage is (Still) Magnetic Tape - IEEE Spectrum
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Is Literature Dead?

This, in an elliptical way, is what Noah was getting at. How do things stick to us in a culture where information and ideas are up so quickly that we have no time to assess one before another takes its place? How does reading maintain its hold on our imagination, or is that question even worth asking anymore? Noah may not be a reader, but he is hardly immune to the charms of a lovely sentence; a few weeks after our conversation at the dinner table, he told me he had finished The Great Gatsby and that the last few chapters had featured the most beautiful writing he’d ever read. “Yes, of course,” I told him, pleased at the observation, but I couldn’t help thinking back to our earlier talk about the novel, which had ended with Noah standing up and saying, in a tone as blunt as a lance thrust: “This is why no one reads anymore.”
From Is Literature Dead?
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Man discovers mother’s ‘classified’ murder case in Montreal library

Roxanne Luce, 36, was found on her bed the next morning and died in a hospital days later. Thirty-seven years later, the case remains unsolved. Last year, Luce founded a non-profit called Meurtres et Disparitions Irrésolus du Québec, bringing together families affected by cold cases.
From Man discovers mother’s ‘classified’ murder case in Montreal library | Montreal Gazette
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How Frankenstein and Its Writer Mary Shelley Created the Horror Genre

The fact that these big questions still inform the social implications of science in the 21st century is a key reason that the popularity of Mary Shelley’s story has only grown over time. Since its first publication, the book has never been out of print. Stage productions of the story followed as early as 1822. In the 20th century dozens of films told and retold the Frankenstein story. The most iconic version was produced by Universal Pictures in 1931 and starred Boris Karloff in what became his signature role.
From How Frankenstein and Its Writer Mary Shelley Created the Horror Genre
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People of Color, Especially Children, Most Likely to be Asked to Leave Seattle Libraries

African Americans, especially children, are far more likely to be kicked out of Seattle libraries than patrons of other races, according to data the South Seattle Emerald obtained from the Seattle Public Library (SPL) through a public disclosure request. Between January and July 2018, more than a third of patrons who received “exclusions” (notices, which can be verbal, that a patron cannot return to the library for a period ranging from a partial day to two years) were African American. Of 764 exclusions that included information about a patron’s race (61 did not include this information and have been excluded from this analysis), 33.4 percent (or just over one third) were African American; 7.5 percent were Hispanic or Latino; 55.5 percent were white; and the rest were another race.
From People of Color, Especially Children, Most Likely to be Asked to Leave Seattle Libraries | South Seattle Emerald
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Technology hasn't killed public libraries – it's inspired them to transform and stay relevant

Critically and most revealingly, libraries are evaluated based on traditional metrics, such as loan and membership numbers, capturing only a fraction of the full value they contribute to our individual and collective life. Failure to recognise this by governments and policymakers puts at risk the diverse and nuanced ways libraries might shape Australia’s future.
From Technology hasn't killed public libraries – it's inspired them to transform and stay relevant
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A Running Tally of Items People Have Asked For At The Circ Desk

Today someone handed me a Costco card. For what purpose? To check out books, of course! This is the fourth time in my illustrious library career that this has happened. In honor of this brave soul (who owes me 600 Costco-sized boxes of Kraft macaroni and cheese and a legit flight of boxed wines if they try this again), I present to you a collection of interesting items people have asked for at the circulation desk:
From Buddy, the Library Isn't a 7-Eleven | Literary Hub
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How an Artist Is Rebuilding a Baghdad Library Destroyed During the Iraq War

“168:01,” as the project by Iraqi-American artist Wafaa Bilal is titled, is a stark white display featuring bookshelves filled with 1,000 blank books. Visitors are encouraged to replenish the volumes with titles from an Amazon wish list compiled by the college’s students and faculty; donations can be made by sending the books on the wish list to the museum, or by gifting funds to the project through Bilal’s website. In exchange for their donations, visitors are able to take home one of the exhibition’s white volumes that represent a rich cultural heritage stripped bare by years of conflict. In turn, the colorful books they contributed to the project will ultimately be sent to the College of Fine Arts.
From How an Artist Is Rebuilding a Baghdad Library Destroyed During the Iraq War | Smart News | Smithsonian
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