Submitted by Bibliofuture on May 31, 2017 - 8:09pm
In which John looks at the one photograph of his 23-year-old self, considers what to keep from life, and wonders what (if anything) from nerdfighteria should be professionally archived. Also considered: Whether there will be humans for much longer, digitial archiving efforts, and what pictures do.
John was contacted by a librarian and that is one reason behind the creation of this video.
From Colorado Public Radio a piece about the main library and how staff are trying to safeguard library visitors.
One person recently died in the library bathroom from a drug overdose. That inspired the library to began a program to instruct staff how to administer the drug antidote, Narcan.
"A lot of the root causes of the behaviors that are finding their way through our doors are happening throughout Denver, and that's daunting,” said Chris Henning, communications manager for the Denver Public Library. “We're trying to do what we can do specifically for our facilities to make sure they're safe. And at the same time, help the city address these bigger problems. These societal problems however we can to try and make an impact on that, because they're just coming at us at a rate that we have not seen before."
The images, captured on film, often in black and white, are also being brought into the digital age, alongside the millions of others that comprise the Chronicle’s photo archive. Negatives and prints are gradually being scanned, and some of the best are being featured in the Instagram account SF Chronicle Vault. Atlas Obscura spoke with Timothy O’Rourke, Assistant Managing Editor of the Chronicle and Executive Producer of SFChronicle.com, about organizing millions of images, sharing San Francisco’s history, and stumbling across the perfect image.
It takes a certain something to be a good storyteller: enthusiasm, timing and a flair for the dramatic. Performers at a children's story hour at a New York City library have all that and then some — they're drag queens.
About once a month since last fall, the Brooklyn Public Library has been presenting Drag Queen Story Hour, where performers with names such as Lil Miss Hot Mess and Ona Louise regale an audience of young children and their parents.
F Scott Fitzgerald’s publishing career lasted just two decades, from 1920 to 1940, when he died aged 44. But in that brief time he published four novels, a play and 178 short stories (some of which he compiled into four collections), while leaving an unfinished novel as well as many incomplete stories, fragments, notes, screenplays and film scenarios. Most have gradually trickled into print over the 77 years since his death, and with the publication of I’d Die For You, the trickle all but ends: these are the last known uncollected stories from the archives.
From Black Press USA (but few other sources) comes news that limits the responsibilities and the tenure of the Librarian of Congress Dr. Carla Hayden.
The bill makes the head of the Copyright Office, the Register of Copyrights, a presidential appointment that would have to be confirmed by the Senate, rather than an appointment by the Librarian of Congress, as it has been since 1870. The bill also limits the position of Librarian of Congress to a ten-year term.
The previous Librarian of Congress, James Billington, served in the position for 28 years though he was a Russian scholar and not really am MLS.
But after reaching a peak in 2014, sales of e-readers and ebooks have slowed and hardback sales have surged. The latest figures from the Publishing Association showed ebook sales falling 17% in 2016, with an 8% rise in their physical counterparts. At the same time, publishers’ production values have soared and bookshops have begun to fill up with books with covers of jewel-like beauty, often with gorgeously textured pages. As the great American cover designer Peter Mendelsund put it to me, books have “more cloth, more foil, more embossing, page staining, sewn bindings, deckled edges”.
A report set to be released by the three city library systems Monday highlights some of the worst conditions at branches across the boroughs and expresses hope the city will provide some relief.
The 15-page report, “Time to Renew,” says despite a $300 million capital infusion from the recent budget, several branches in the New York, Brooklyn and Queens public library systems are still suffering severe infrastructure problems.
Buying books does not equal reading books. We all know that. Yet, so many end up victims of tsundoku anyway.
One problem, I think, is that collecting feels like learning. Each time we discover a new productivity toy, internet article or bestselling book, our brain sends us a jolt of dopamine (our brain’s “reward” hormone) for doing nothing at all.
Ahh, says our brain, a job well done.
As anyone who’s read Stein’s books knows, her approach encourages her subjects to air their grievances; as people opened up to her, they revealed stories of turbulence and violence, plus the tensions of classism, sexism, racism, and ageism. McNeil and McCain, who are currently working on an oral history of 1969, have noticed this in their interviews, too, and it may be Stein’s most remarkable legacy: the creation of a form that championed a mosaiclike reality, where every person’s account carries an equal weight as “truth.” Her “oral narrative” carves out a place where history is illuminated by people who had a hand in shaping it, yet had never been so much asked for their opinions, and are held up as sacred as the deeds that line history textbooks. “You can really document injustice and the way things went down so well,” McNeil notes. “I think Jean Stein deserves a medal for that.”
Everyone knows knowledge is a vital aspect when it comes to moving forward. By looking at popular literature in a time period you can delve into the people of the time’s though process. Let’s get into the 3 best selling books from each decade starting at 1950-1959 and going to where we are now 2010 onward. If the books are available on Amazon links will be provided for those interested in reading them.
Later on, Dan would learn there was a time when anyone could go to the library and read journal articles, and even books, without having to pay. There were independent scholars who read thousands of pages without government library grants. But in the 1990s, both commercial and nonprofit journal publishers had begun charging fees for access. By 2047, libraries offering free public access to scholarly literature were a dim memory.
This article appeared in the February 1997 issue of Communications of the ACM (Volume 40, Number 2).
From The Road To Tycho, a collection of articles about the antecedents of the Lunarian Revolution, published in Luna City in 2096.
From The Right to Read - GNU Project - Free Software Foundation
By contrast, David Imus worked alone on his map seven days a week for two full years. Nearly 6,000 hours in total. It would be prohibitively expensive just to outsource that much work. But Imus—a 35-year veteran of cartography who’s designed every kind of map for every kind of client—did it all by himself. He used a computer (not a pencil and paper), but absolutely nothing was left to computer-assisted happenstance. Imus spent eons tweaking label positions. Slaving over font types, kerning, letter thicknesses. Scrutinizing levels of blackness. It’s the kind of personal cartographic touch you might only find these days on the hand-illustrated ski-trail maps available at posh mountain resorts.
“It made me smile, this optimistic, romantic idea that you could leave a book with a message for someone. It reminded me of being in college, and seeing the notes that people would leave in the margins of the books they’d checked out of the library.”
With the help of creative writing mastermind and novelist Doug Dorst, Abrams built on the romantic idea of the found object as a storytelling device. He constructed, from the ground up, a meta-narrative, centered upon a novel titled Ship of Theseus, written by fictitious author V.M. Straka, in 1949.
Hopefully these examples show how at times it’s worth turning our gaze inward to discover how we can do things better. That’s why, although there’s certainly plenty of cases of library patrons behaving badly — from hackers to politicians to exhibitionists (to say nothing about irresponsible authors) — the focus of this list is primarily on librarians, along with the government and vendors that we do business with. So then, in the spirit of those words from Alice Roosevelt Longworth, “If you can’t say something good about someone, sit here by me."
Manuscripts can be seen as time capsules,” says Johanna Green, Lecturer in Book History and Digital Humanities at the University of Glasgow. “And marginalia provide layers of information as to the various human hands that have shaped their form and content.” From intriguingly detailed illustrations to random doodles, the drawings and other marks made along the edges of pages in medieval manuscripts—called marginalia—are not just peripheral matters. “Both tell us huge amounts about a book’s history and the people who have contributed to it, from creation to the present day.”
That path from submission to revision and publication will sound familiar to modern scientists. However, Tyndall’s experience with the Philosophical Transactions—in particular, with its refereeing system—was quite different from what authors experience today. Tracing “On the absorption and radiation of heat” through the Royal Society’s editorial process highlights how one of the world’s most established refereeing systems worked in the 1860s. Rather than relying on anonymous referee reports to improve their papers, authors engaged in extensive personal exchanges with their reviewers. Such a collegial approach gradually lost favor but recently has undergone something of a resurgence.
The University of Reading has discovered pages of one of the first books printed in England, dating from the 15th century.
The pages of a mediaeval priest’s handbook, dating to between 1476 and 1477, were found in the University’s archives by Special Collections librarian Erika Delbecque while she was cataloguing thousands of items showing the history of print and graphic design.
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