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Paris Review - The Art of Fiction No. 211, William Gibson

From 2011...

You can tell the term still holds some magic for him, perhaps even more so now that it is passing into obsolescence. The opposite is true for ­cyberpunk, a neologism that haunts him to this day. On a short walk to lunch one afternoon, from the two-story mock-Tudor house where he lives with his wife, Deborah, he complained about a recent visit from a British journalist, who came to Vancouver searching for “Mr. Cyberpunk” and was disappointed to find him ensconced in a pleasantly quiet suburban patch of central Vancouver. Mr. Cyberpunk seemed wounded by having his work ­pigeonholed, but equally so by the insult to his home, which is quite ­comfortable, and his neighborhood, which is, too. “We like it quiet,” he explained.

From Paris Review - The Art of Fiction No. 211, William Gibson

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Michael Ian Black on his surprising turn as a noted children’s book author

Generally speaking, nothing says “inessential” quite like “celebrity-written children’s book.” Jay Leno, Jeff Foxworthy, Katie Couric, Julianne Moore, Jamie Lee Curtis, Julie Andrews, Gloria Estefan, Whoopi Goldberg, B.J. Novak, Spike Lee, Tim McGraw, LeAnn Rimes... the list of stars who’ve delved into that world goes on and on. Scholastic even has a series of books called Little Bill, written by Bill Cosby, most of them available for a penny on Amazon. In a lot of cases, the authors get it out of their system after a couple books, but actor/comedian/author/podcaster Michael Ian Black has quietly reached the half-dozen mark with his latest, Cock-A-Doodle-Doo-Bop, out today.

From Michael Ian Black on his surprising turn as a noted children’s book author · Interview · The A.V. Club

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How Did Prison Change Oscar Wilde? On “De Profundis”

Prison, it might be fair to say, demanded this sort of writing from Wilde. It forced him to change out the voice of a snobbish aesthete for that of a survivor, that of a sufferer, that of a jilted lover, that of a prophet, and—another Emersonian voice—that of an educator. “You came to me to learn the Pleasure of Life and the Pleasure of Art,” Wilde tells Douglas in the letter’s lovestruck last sentence. “Perhaps I am chosen to teach you something much more wonderful, the meaning of Sorrow, and its beauty.”

From How Did Prison Change Oscar Wilde? On “De Profundis”

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See the Sketches J.R.R. Tolkien Used to Build Middle-Earth

WIRED asks, "How did J.R.R. Tolkien create The Lord of the Rings?"

"The simple answer is that he wrote it...The more complicated answer is that in addition to writing the story, he drew it. The many maps and sketches he made while drafting The Lord of the Rings informed his storytelling, allowing him to test narrative ideas and illustrate scenes he needed to capture in words. For Tolkien, the art of writing and the art of drawing were inextricably intertwined.

In the book The Art of The Lord of the Rings, we see how, and why."

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Hemingway in Love

Hemingway in Love
In a new memoir, one of Hemingway's closest friends reveals how the great writer grappled with the love affair that changed his life and shaped his art

From Hemingway in Love | Arts & Culture | Smithsonian

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Margaret Atwood: ‘People bond to the books. Nobody wants my shoelaces’

People see my head on a book and attach a tall body to it. The image of somebody that you have accorded status to in your mind is a large one; the Greeks always made the gods quite tall. I’m short. Shorter than you think.

From Margaret Atwood: ‘People bond to the books. Nobody wants my shoelaces’ | Life and style | The Guardian

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Teaching a Different Shakespeare Than the One I Love

Shakespeare has not lost his place in this new world, just as, despite the grim jeremiads of the cultural pessimists, he has not lost his place in colleges and universities. On the contrary, his works (and even his image) turn up everywhere, and students continue to flock to courses that teach him, even when those courses are not required.

But as I have discovered in my teaching, it is a different Shakespeare from the one with whom I first fell in love.

From Teaching a Different Shakespeare Than the One I Love - The New York Times

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Robert Frost’s “The Road Not Taken” Is Our Most Misread Poem

And almost everyone gets it wrong. This is the most remarkable thing about “The Road Not Taken”—not its immense popularity (which is remarkable enough), but the fact that it is popular for what seem to be the wrong reasons. It’s worth pausing here to underscore a truth so obvious that it is often taken for granted: Most widely celebrated artistic projects are known for being essentially what they purport to be.

From Robert Frost’s “The Road Not Taken” Is Our Most Misread Poem

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Did Thomas Pynchon publish a novel under the pseudonym Adrian Jones Pearson?

Is it possible that the literary sensibility—person—that produced a clutch of novels under the name Thomas Pynchon has had a fat new novel out since April, under a different name, only to encounter a virtual vacuum of notice? That relative anonymity may have been expected, or might even have been among its aspirations, to prove a point?

From [Theory] | The Fiction Atop the Fiction, by Art Winslow | Harper's Magazine

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Franklin, Reconsidered: An Essay by Jill Lepore

Jill Lepore revisits the legacy of Benjamin Franklin, who in his time was “the most accomplished and famous American who had ever lived.”

From Franklin, Reconsidered: An Essay by Jill Lepore : Longreads Blog

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