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Charles Davis writes "
Public records on microfiche
containing millions of personal
details have gone missing from
Bristol Central Library.
Up to 1,400 fiches that relate to
births are missing, as are 1,000
relating to marriages and 1,000
One microfiche was said by the
library to hold "hundreds" of
They were discovered to be missing when users at the library began tracing their family history.
The library has estimated that it will cost £20,000 to replace the missing microfiches.
The NYTimes Says the Florida ballots are still there, nearly six million punch cards and their chads, stowed in boxes, stacked on pallets, wrapped in plastic.
The state has kept them for two years, as federal law requires. Now that the time is up, a pressing question for state officials here is: What do we do with these things?
"This is the most controversial presidential election in modern history — an election that was viewed by the world for 36 days and ultimately decided by the Supreme Court," said Julian Pleasants, a history professor at the University of Florida in Gainesville. "It's an important series of events that should be saved for future generations."
Thanks to Jen Young for this one.
Charles Davis writes "A
telegraph.co.uk Story on a £20 million appeal to open to the public a priceless nmedieval library - whose works include an eye-witness account of the Battle of Hastings - has collapsed in an acrimonious dispute.
Senior members of the fund-raising committee at
Cambridge University have resigned and donors
have withdrawn their pledges from the Parker
Library Appeal at Corpus Christi College, the home
of one of the world's leading collections of
manuscripts dating from the sixth to the 16th
Jen Young noticed A Neat One from The NYTimes on Columbia University's 9/11 Oral History Narrative and Memory Project.
What began as an effort to record history while it was fresh became more than that. It turned into an extended journey into the nature of memory itself, and a testament to the enduring power of the oldest, simplest human communication form: one voice in a room, telling a tale of how it all came down.
"I was less a historian than a participant," said Temma Kaplan, a professor of history at Rutgers University who did 18 interviews. "I wanted to be comforted, and confronted, not quite a voyeur but to be part of what was going on."
Jen Young sent over This One on the Nuremberg Chronicle, that has gone on display at the Art Gallery of South Australia.
Each fortnight one page will be turned in the Latin edition, which features more than 1800 illustrations – including biblical scenes and views of towns and maps printed from 645 woodblocks.
With a page being turned every 14 days, it will take about 11 1/2 years to read the book.
Click below for more of the stories and links to the full content. -- Read More
Bob Cox noticed This One on The Dead Sea Scrolls exhibit, opening next Sunday at the Grand Rapids Public Museum.
Up to 225,000 visitors are expected to come see some of the world\'s oldest biblical manuscripts, in an exhibit running through June 1. Tourism officials expect scroll-seekers will pump at least $5 million into the local economy, and the museum expects to earn close to $1 million above costs.
Jen Young points to a A NYTimes Story on a collection of literary and cultural treasures at the Harry Ransom Humanities Research Center, part of the University of Texas.
Scholars know the Ransom Center as one of the world\'s pre-eminent research libraries, but until now the public has caught only fleeting glimpses into its rich chambers. That will change in April when the center opens its first galleries.
\"As libraries move into the digital age, they increasingly face copyright and other intellectual property questions. Creating digital surrogates and using digital technologies to make copyrighted works available to the public raise many issues. For American librarians, June Besek\'s essay is a most welcome tool. She has analyzed the issues that librarians must address as they are asked to make decisions about what may be made available to their patrons in digital form, and in an unbiased way she has described these issues and their implications. Additionally, she has identified areas where there is much uncertainty and recommended further studies to narrow the issues and to suggest constructive solutions.\" (from CLIR)
\"During a rehearsal for \"A Streetcar Named Desire\" at the Barrymore Theater in New York more than half a century ago Marlon Brando dropped his address book.\"
\"I beg you return this,\" he had written inside the cover. \"I lost eight others already and if I lose this, I\'ll just drop dead\"
\"The finder, however, did not return it. Today it is part of a collection of literary and cultural treasures here at the Harry Ransom Humanities Research Center, part of the University of Texas. (from The New York Times)