- LISWire: Pasco County Libraries Choose ByWater Solutions’ Koha Support
- LISWire: EBSCO Information Services Rolls Out 28 New eBook Subject Sets
Over the next few years, marketers will begin to target QR codes more effectively, but without simpler client tools and much better awareness, it’s likely that texting, speech-based searches and alternative scanning technologies will win out. It won’t be long until QR Codes return to their industrial roots where their comparatively low cost make them more appealing than RFID chips.
A newish service from Amazon that might be useful to more than a few folks around here: Amazon Glacier
Amazon Glacier is an extremely low-cost storage service that provides secure and durable storage for data archiving and backup. In order to keep costs low, Amazon Glacier is optimized for data that is infrequently accessed and for which retrieval times of several hours are suitable. With Amazon Glacier, customers can reliably store large or small amounts of data for as little as $0.01 per gigabyte per month, a significant savings compared to on-premises solutions. -- Read More
Blog More, says Scott Hanselman.
Own your space on the Web, and pay for it. Extra effort, but otherwise you’re a sharecropper. - Tim Bray
"You are not blogging enough. You are pouring your words into increasingly closed and often walled gardens. You are giving control - and sometimes ownership - of your content to social media companies that will SURELY fail. These companies are profoundly overvalued, don't care about permalinks, don't make your content portable, and have terms of service that are so complex and obtuse that there are entire websites dedicate to explaining them."
Kickstarter's most successful projects suggest the creativity we value is interactive, rather than aesthetic, says Patrick Hussey
"For me though, crowdfunding represents something amazing – the gamification of progress. The internet is pointing us in the right direction and crowdfunding, with that digital hallmark of mashing capitalism, communism and cats into one, is certainly getting to places other funding forms are too slow to reach."
Roughly two weeks ago, the popular e-book lending site LendInk was taken offline thanks to a group of terrified authors who couldn’t be bothered to read the fine print. LendInk was a website dedicated to helping book lovers lend books to each other through features implemented by Amazon and Barnes & Noble. The site’s only purpose was to serve as a front end — it hosted no e-book files, linked no torrents, and never directed users to a file locker.
If most websites can’t get password storage right, you can also bet they can’t get storage of the actual content you are trusting them with right, either. The private documents that you stored with your favorite cloud service are probably not encrypted in a way that only your account can decrypt, if they’re encrypted at all. The mobile app or website you use to access those documents may send your password and your files “in the clear,” enabling that shady-looking person on the other side of the café to snoop on you. They may advertise that they use encrypted connections but then disable verification in the mobile app so as to “not complicate the interface.” Someone could hijack your connection and the app would never notify you of the error. I have seen all of these problems in real-world cloud apps used by thousands of people.
The Rise of the Virtual-Plagiarist
With that, I have found a new genre of copying that I would like to call virtual-plagiarism. Virtual-plagiarism is where a book is sold with the appearance that it is for the most part original content; yet the buyer often doesn’t know or realize they are buying free content.
Wikipedia and other open source providers have made the world a better place with their free content. But with all that beneficence, there are those who have found a way to misappropriate it.
Art cannot be created or destroyed — only remixed. In a convincing talk from TEDGlobal 2012, director Kirby Ferguson explores the challenges of originality and freshness in a world where creativity takes root in what has come before. Without previous inventions we would not have the iPhone, the Model T Ford, Star Wars, Warhol’s soup cans, or the electronic musician Girl Talk. Ferguson highlights that remixing, referencing and reproducing previous innovations allows artists to engage in a cultural dialogue and allows art, technology and society to continue evolving.
How Google Organizes the World: Q&A With the Manager of Knowledge Graph
In May, Google launched a major overhaul of its search results. The Knowledge Graph on the right-hand side of the page displays facts and images about the subject of your query alongside the usual Web results. Google is moving away from basic keyword matching and toward recognizing real-world things and their relationships. We sat down with Emily Moxley, Google's lead product manager for the Knowledge Graph, to learn how Google is tackling this challenge.
Everyone knows that the flow of information is complex and tangled in society today -- so thank goodness for copyright law! Truly, no part of our national policy is as coherent, in the interest of the public or as updated for the Internet age as that gleaming tome in the US Code.
But one MIT economist, who recently presented his work recently at Wikimania, has found a way to test how the copyright law affects one online community -- Wikipedia -- and how digitized, public domain works dramatically affect the quality of knowledge.