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Like many of his third-grade classmates, Mario Cortez-Pacheco likes reading the “Magic Tree House” series, about a brother and a sister who take adventurous trips back in time. He also loves the popular “Diary of a Wimpy Kid” graphic novels.
But Mario, 8, has noticed something about these and many of the other books he encounters in his classroom at Bayard Taylor Elementary here: most of the main characters are white. “I see a lot of people that don’t have a lot of color,” he said.
The decision to sell a piece of North American history has sparked intense debate at Old South Church in Boston. The church's historian says the book is simply not theirs to sell.
Gary Ross has penned and directed some big Hollywood hits like Big, Pleasantville and The Hunger Games. But for the past 15 years, his obsession has been something much more personal: a Dr. Seuss-ian children's book called Bartholomew Biddle and the Very Big Wind.
It started when Ross got a call in 1996 from fellow screenwriter David Koepp. Koepp was up against a tight budget and approaching deadline with his debut directorial effort, The Trigger Effect. Its heroine had to read an as-yet-unwritten bedtime story to her child.
Koepp wanted Ross to write that story. "The only thing is, I don't have any money," he told Ross. "So it has to be for free, and I've got to shoot the day after tomorrow."
Full piece (7 minute author interview on NPR)
If you listen to the author interview you find out he created part of the fictional book for the movie The Trigger Effect. I assume they did not use a real children's book to avoid paying royalties.
The site unglue.it has a few more books they are trying to unglue. One is - So You Want to Be a Librarian. See unglue.it for more details.
On the Media has an episode each year that focuses on books. The entire program is one hour and you can get the MP3 here.
You can see all the individual episodes here.
The individual episodes are:
Publishing: Adapt or Die
How Publishing and Reading are Changing
No Pulitzer Prize for Fiction
Is Amazon a New Monopoly
Are Publishers Stuck in the Past?
The Story of Pottermore
Taking on Amazon
The Problem of Knock Off Books
Steal My Book Please
Life After Publishers
The lessons of Indie Rock for the publishing industry are pondered in a post at The Scholarly Kitchen,
"Whenever you buy a record from just about any indie band, it comes with either a CD or with a card that contains a URL and a download code so you can get a digital copy at no additional cost...
If implemented in the right way, publishers could kill two birds with one stone: they could support a mechanism for downloading e-books purchased in conjunction with hardcovers that not only makes their best customers happy and extends the life of hardcover sales, but that actually fosters competition in the ebook marketplace."
We usually keep things pretty positive here at the Riot, but after many years of life in the bookish interweb, we’ve identified some conversations that just keep coming back up. And we’re ready to put an end to them. So pull on your crankypants, kids, and join editors Rebecca and Jeff for a good old-fashioned Airing of Grievances.
Apple is now the proud owner of the page turn.
In a patent approved this week by the United States Patent Office Apple was awarded a design patent for
"Display screen or portion thereof with animated graphical user interface."