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Are There Too Many Books?
In fact, among the various forms of information and entertainment, books are distinctive because there are so many of them. Every movie, television program, news organization, and the top tiers of websites combined represent a relatively small number compared to the books being published. Books do fall into categories, such as fiction, nonfiction, and textbooks, and subcategories like politics, economics, history, romance, science-fiction and so on; yet, most books have to be considered separate entities with their own strategy for reaching an audience.
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Hagens Berman Files Class-Action Lawsuit Against Apple and Publishers
Hagens Berman, a consumer rights class-action law firm, today announced it has filed a nationwide class-action lawsuit claiming that Apple Inc. and five of the nation's top publishers, including HarperCollins Publishers, a subsidiary of News Corporation , Hachette Book Group, Macmillan Publishers, Penguin Group Inc., a subsidiary of Pearson PLC , and Simon & Schuster Inc., a subsidiary of CBS , illegally fix prices of electronic books, also known as e-books.
Publishing Gives Hints of Revival, Data Show
The publishing industry has expanded in the past three years as Americans increasingly turned to e-books and juvenile and adult fiction, according to a new survey of thousands of publishers, retailers and distributors that challenges the doom and gloom that tends to dominate discussions of the industry’s health.
19,000 papers leaked to protest 'war against knowledge'
A critic of academic publishers has uploaded 19,000 scientific papers to the internet to protest the prosecution of a prominent programmer and activist accused of hacking into a college computer system and downloading almost 5 million scholarly documents from an archive service.
The 18,592 documents made available Wednesday through Bittorrent were pulled from the Philosophical Transactions of the Royal Society, a prestigious scientific journal that was founded in the 1600s, the protester said.
Some readers like to see portraits of authors they admire, study their personal histories or hear them read aloud. I like to know whether an author can spell. Nabokov spelled beautifully. Fitzgerald was crummy at spelling, bedeviled by entry-level traps like “definate.” Bad spellers, of course, can be sublime writers and good spellers punctilious duds. But it’s still intriguing that Fitzgerald, for all his gifts, didn’t perceive the word “finite” in definite, the way good spellers automatically do. Did this oversight color his impression of infinity? Infinaty?
Bad spellers are a breed apart from good ones. A writer with a mind that doesn’t register how words are spelled tends to see through the words he encounters — straight to the things, characters, ideas, images and emotions they conjure. A good speller, by contrast — the kind who never fails to clock the idiosyncratic orthography of “algorithm” or “Albert Pujols” — tends to see language as a system. Good spellers are often drawn to poetry and wordplay, while bad spellers, for whom language is a conduit and not an end in itself, can excel at representation and reportage.
So, why aren’t books dead yet? It helps that e-books are booming. Kindle and Nook have begun to refashion the economics of the medieval publishing industry: no trucks, no paper, no returns or remainders.
But that does not explain why writers write them. Writers write them for reasons that usually have a little to do with money and not as much to do with masochism as you might think. There is real satisfaction in a story deeply told, a case richly argued, a puzzle meticulously untangled. (Note the tense. When people say they love writing, they usually mean they love having written.) And it is still a credential, a trophy, a pathway to “Charlie Rose” and “Morning Joe,” to conferences and panels that Build Your Brand, to speaking fees and writing assignments.
Why We Publish
It isn’t to obtain tenure. And it isn’t for money. Although to some, that is what publishing has become. The rationale for why we publish is (should be) to communicate results to as great an audience as possible and advance our understanding of the world around us. At Mendeley, we started to wonder how we could help communicate results and bring new models to the publication ecosystem. We think that Open Access content, where the full-text is readily accessible to all, will be the standard communication model in the future. And as such, we are rethinking how we shape our discovery algorithms.
What is wrong with Scientific Publishing: an illustrative “true” story
In closing I should make it clear that Open Access in its formal sense is only a small advance. More people can read “it”, but “it” is an outdated, twentieth century object. It’s outlived its time. The value of Wikipedia and Nature Precedings for me is that this has enabled a communal journey. It’s an n<->n communication process rooted in the current century.
Unless “journals” change their nature (I shall explore this and I think the most valuable thing is for them to disappear completely) then the tectonic plates in scholarly publishing will create an earthquake.