Submitted by Blake on October 14, 2015 - 7:25pm
The ubiquitous blue “Like” or “Share” buttons that you see all over the Internet are hiding an ugly secret. Starting this month, Facebook will use them to track your visit to every Web page that displays the buttons—even if you don’t click on anything. Facebook will use the data it collects to build a detailed dossier of your browsing habits, meticulously logging every site you visit, so it can finally learn those last few details about your life that it doesn’t already know. And there’s nothing you can do about it, short of staying totally logged out of the social media site or tracking down and installing a special browser extension to protect from this kind of sneaky behavior.
From Internet Companies: Confusing Consumers for Profit | Electronic Frontier Foundation
Submitted by Blake on October 14, 2015 - 1:40pm
Submitted by Blake on October 14, 2015 - 1:39pm
It is not just access to knowledge, but the knowledge itself that’s at stake. Thousands of years ago, the Library of Alexandra was, as the astrophysicist Carl Sagan wrote, “the brain and heart of the ancient world.” For seven centuries, it housed hundreds of thousands of scrolls; great works of philosophy, literature, technology, math, and medicine. It took as many centuries for most of its collections to be destroyed.
The promise of the web is that Alexandria’s library might be resurrected for the modern world. But today’s great library is being destroyed even as it is being built. Until you lose something big on the Internet, something truly valuable, this paradox can be difficult to understand.
From The Internet's Dark Ages - The Atlantic
Submitted by Blake on October 14, 2015 - 10:20am
Generally speaking, nothing says “inessential” quite like “celebrity-written children’s book.” Jay Leno, Jeff Foxworthy, Katie Couric, Julianne Moore, Jamie Lee Curtis, Julie Andrews, Gloria Estefan, Whoopi Goldberg, B.J. Novak, Spike Lee, Tim McGraw, LeAnn Rimes... the list of stars who’ve delved into that world goes on and on. Scholastic even has a series of books called Little Bill, written by Bill Cosby, most of them available for a penny on Amazon. In a lot of cases, the authors get it out of their system after a couple books, but actor/comedian/author/podcaster Michael Ian Black has quietly reached the half-dozen mark with his latest, Cock-A-Doodle-Doo-Bop, out today.
From Michael Ian Black on his surprising turn as a noted children’s book author · Interview · The A.V. Club
Submitted by Blake on October 14, 2015 - 10:16am
How many people read online privacy warnings? Few probably do. Long, detailed and technical privacy notices are the current answer to one of the greatest privacy issues of our time: websites collect information about us all the time and we frequently allow it without really knowing or understanding the conditions. JRC scientists have found that web design, and the information shown on the screen, does influence how and whether a user discloses personal data.
From Web design plays a role in how much we reveal online
Submitted by Blake on October 14, 2015 - 10:14am
At some point this year, a child somewhere in the developing world became the ten millionth beneficiary of Room to Read, a non-profit organisation created 15 years ago after a high-flying Microsoft executive quit his job to help children in Nepal.
From Library builder's monument of books - BBC News
Submitted by Blake on October 14, 2015 - 10:13am
Submitted by Blake on October 14, 2015 - 7:46am
Prison, it might be fair to say, demanded this sort of writing from Wilde. It forced him to change out the voice of a snobbish aesthete for that of a survivor, that of a sufferer, that of a jilted lover, that of a prophet, and—another Emersonian voice—that of an educator. “You came to me to learn the Pleasure of Life and the Pleasure of Art,” Wilde tells Douglas in the letter’s lovestruck last sentence. “Perhaps I am chosen to teach you something much more wonderful, the meaning of Sorrow, and its beauty.”
From How Did Prison Change Oscar Wilde? On “De Profundis”
Submitted by Blake on October 13, 2015 - 4:37pm
The professional version of the JPEG format, JPEG 2000, already has a DRM extension called JPSEC. But usage of JPEG 2000 is limited to highly specialized applications such as medical imaging, broadcast and cinema image workflows, and archival, therefore the availability of DRM in JPEG 2000 hasn't affected the use of images online, where the legacy JPEG format remains dominant. Now, the JPEG Privacy and Security group is considering essentially backporting DRM to legacy JPEG images, which would have a much broader impact on the open Web.
From There's No DRM in JPEG—Let's Keep It That Way | Electronic Frontier Foundation
Submitted by Blake on October 13, 2015 - 9:01am
This is a microcosm of the danger facing American archives. Because almost nothing is catalogued at the item-level, most of the unique material housed in these most important of repositories is particularly vulnerable to theft. When someone like Breithaupt steals a book, even a very old book, there is a catalog record that tells us it is missing—and likely some kind of duplicate copy somewhere else in the world. But when he steals a letter from Flannery O’Connor to John Crowe Ransom—unless that letter has been photocopied by another person—it basically ceases to exist. Not only do we not have the information in it, but we don’t even know that we don’t have the information in it.
From The Unseen Theft of America’s Literary History ‹ Literary Hub
Submitted by Blake on October 12, 2015 - 8:55pm
Developed by Rachel M. Simon, The Public Collection fuses the book station with art installation, to “improve literacy, foster a deeper appreciation of the arts, and raise awareness for education and social justice in our community.” To do this, Simon invited nine local artists to make book stations that doubled as sculptural works and placed them in various locations around the city. (Check out the map here to see where the sculptural book stations are located.)
From Artist-Designed Miniature Libraries Make Literacy Open, Free and Beautiful | GOOD
Submitted by Blake on October 12, 2015 - 8:52pm
Submitted by Blake on October 12, 2015 - 12:18pm
Submitted by Blake on October 12, 2015 - 10:58am
Spanning Our Field Boundaries: Mindfully Managing LAM Collaborations The Educopia Institute is pleased to release a new publication, Spanning Our Field Boundaries: Mindfully Managing LAM Collaborations. Authored by the "Mapping the Landscapes" project team (38 archives, library, and museums partner and supporting organizations collaborating on the IMLS-funded project), the publication adds to past LAM-wide collaboration studies by documenting both real and perceived boundaries that silently impact our ability to collaborate across the wide variety of organizations in the fields (and their myriad sub-fields), including organizational sizes and governance structures, staffing and funding levels, acronyms and vocabularies, disciplinary specialties and user communities served.
From Spanning Our Field Boundaries: Mindfully Managing LAM Collaborations | Educopia
Submitted by Blake on October 12, 2015 - 10:49am
Buzzfeed’s business model relies on shareability, something it has in common with today’s library, which is why library website designers have the opportunity to learn from Buzzfeed’s overwhelming success. Here are the top lessons library website designers can learn from Buzzfeed.
From 5 Lessons Library Websites Can Learn from Buzzfeed
Submitted by Blake on October 12, 2015 - 7:57am
Submitted by Blake on October 10, 2015 - 2:04pm
Submitted by Blake on October 10, 2015 - 8:24am
Submitted by Blake on October 10, 2015 - 8:23am
No. These are all excellent matters to ponder, especially given Wikipedia’s global dominance, and I do ponder them, and perhaps you do as well. But what is genuinely most fascinating, at least to me, is the strange way it lets you write encyclopedia pages—the structures that have built up since its founding in 2001. The way that Wikipedia is composed is a good example of what happens when you build something so incredibly simple that anyone can use it, and then everyone does.
From The Chaotic Wisdom of Wikipedia Paragraphs | The New Republic
Submitted by Pete on October 9, 2015 - 3:30pm
WIRED asks, "How did J.R.R. Tolkien create The Lord of the Rings?"
"The simple answer is that he wrote it...The more complicated answer is that in addition to writing the story, he drew it. The many maps and sketches he made while drafting The Lord of the Rings informed his storytelling, allowing him to test narrative ideas and illustrate scenes he needed to capture in words. For Tolkien, the art of writing and the art of drawing were inextricably intertwined.
In the book The Art of The Lord of the Rings, we see how, and why."