Submitted by Blake on May 25, 2016 - 8:30pm
So what kinds of titles do publishers prefer? For starters, according to Garnett, they naturally favor “titles that are memorable and striking and, of course, that manage to communicate the flavor or feel of the book’s content and writing and sensibility,” though these are subjective criteria—both she and my own editor, Margaux Weisman at William Morrow, concede that the titling process amounts mainly to a gut feeling, informed by trial and error. (And it’s hard to imagine that they aren’t influenced by the desire for Google-friendliness or e-retail “discoverability”—think of the Twitter-friendly #GIRLBOSS—though nobody I spoke to claimed these were heavy considerations.) Titles are hashed out in biweekly meetings with the publisher, editor-in-chief, deputy publisher, digital and paperbacks publisher, and managing editor, and later in the process, marketing, design, and publicity departments, as well as the author and their agent.
From Title Fights: Who Gets to Name an Author’s Book?
Submitted by Blake on May 24, 2016 - 9:13pm
Submitted by Blake on May 24, 2016 - 11:24am
The book worm has turned.
Local libraries are making noise about eBook prices, saying that they pay multinational publishers up to five times more than average consumers do for the same titles.
And libraries — including ones in Toronto, Ottawa, Halifax and Vancouver — say they’d like things to change, so that they can pay according to their size and needs, rather than using the current one-size-fits-all model.
From Libraries feel the eBook pinch | Toronto Star
Submitted by Blake on May 24, 2016 - 10:09am
Alexie tells NPR's David Greene that he found inspiration for the book in a surprising place: his own father's funeral. "As they lowered the coffin into the grave, his tombstone came into view and on the tombstone is Sherman Alexie — his name, my name," Alexie says. "And I'd always struggled with being named after him, but the existential weight of being named after your father really, really becomes clear when you're looking at a tombstone with your name on it."
From Sherman Alexie On His New Kids' Book ('Thunder Boy Jr.') And The Angst Of Being A 'Jr.' : NPR
Submitted by Blake on May 24, 2016 - 8:04am
Submitted by Blake on May 24, 2016 - 8:02am
...but censorship using the DMCA is common online. The act allows web hosts a certain amount of immunity from claims of copyright infringement through what is known as the “safe harbour” rules: in essence, a host isn’t responsible for hosting infringing material provided they didn’t know about it when it went up, and took it down as soon as they were told about it.
In practice, however, this means that web hosts (and the term is broadly interpreted, meaning sites like YouTube, Twitter and Google count) are forced to develop a hair-trigger over claims of copyright infringement, assuming guilt and asking the accused to prove their innocence.
From Revealed: How copyright law is being misused to remove material from the internet | Technology | The Guardian
Submitted by Blake on May 23, 2016 - 10:06pm
Over the weekend, I decided to try to quantify the extent of privacy leakage in public-facing library services by studying the search services of the 123 ARL libraries. These are the best funded and most prestigious libraries in North America, and we should expect them to positively represent libraries. I went to each library's on-line search facility and did a search for a book whose title might suggest to an advertiser that I might be pregnant. (I'm not!) I checked to see whether the default search linked to by the library's home page (as listed on the ARL website) was delivered over a secure connection (HTTPS). I checked for privacy leakage of referer headers from cover images by using Chrome developer tools (the sources tab). I used Ghostery to see if the library's online search used Google Analytics or not. I also noted whether advertising network "web beacons" were placed by the search session.
From Go To Hellman: 97% of Research Library Searches Leak Privacy... and Other Disappointing Statistics.
Submitted by Blake on May 22, 2016 - 11:16am
Braydon Beaulieu stares intently at a screen as he plays a game on the Nintendo Entertainment System inside the U of C library. The 27-year-old PhD student wasn't even born when the system was released in 1983.
"These things are like ancient artifacts to me, something I would expect to see in a museum, so it is really fun to play them."
From Retro video games invade space at university libraries - Calgary - CBC News
Submitted by Blake on May 22, 2016 - 9:51am
Blume doesn’t have to write because, at 78, she has embarked on a new career: she’s an independent bookseller. Together with her husband, George Cooper, she has opened a small, nonprofit bookshop in Key West, Florida, where she’s working almost every day. And she’s loving it. She had planned “to take a gap year” after she finished writing and promoting her last novel, In the Unlikely Event. “I was going to relax and read and have this whole time with no pressure. And then bingo – the chance comes along to open a bookshop, and there you go. I guess I like that in my life … To learn something new like this, at 78, makes it all the more exciting.”
From 'People are hungry for real bookstores': Judy Blume on why US indie booksellers are thriving | Books | The Guardian
Submitted by Blake on May 22, 2016 - 9:48am
Submitted by Blake on May 21, 2016 - 10:39am
Meet Jessamyn West, the radical librarian. She just got a big award from the Vermont Library Association for her role in the selection process for the next Librarian of Congress. She's behind one of the first librarian blogs, she's annoyed the FBI, and she's a crusader for keeping both sides of the digital divide in mind as we move further into the information age. Cory Doctorow of "Boing Boing" has called her an "internet folk hero."
From Renegade Librarian Jessamyn West On Information, Access And Democracy | Vermont Public Radio
Submitted by Blake on May 20, 2016 - 10:15pm
The data produced by SSRN is not terribly sophisticated stuff: number of papers and authors, number of downloads, number of citations, per paper and per author. Lots of other companies and services attempt to collect the same kind of data. But what makes SSRN specific is that it is a well known node in the network—we might say, in the discourse or mind-space—of social science.
From It’s the Data, Stupid: What Elsevier’s purchase of SSRN also means | Savage Minds
Submitted by Blake on May 20, 2016 - 10:14pm
Is an annotated version the best way to read The Sound and the Fury for the first time? Not necessarily. It takes away some of the challenge – and reward – of wrestling with the text alone, and it also inadvertently provides spoilers. I found out a major plot line involving Quentin long before I would have worked it out on my own.
Colored text itself, on the other hand, feels like a breakthrough for publishing. It's a playful approach perfectly attuned to our era. Learning in general has already moved away from dusty tomes of monochrome text to brighter, shinier and more interactive methods.
From Can text in different colors help you tackle the most difficult books?
Submitted by Blake on May 20, 2016 - 9:55am
The newest library on campus contains no books and offers no borrowing privileges.
Located in the basement of Stocking Hall, it lacks the soaring windows and grand views of other locations. Students can’t access the library, and since it’s kept at a constant 54 degrees, it would not offer much of a study refuge anyway.
From New library shelves 3,400 bottles of wine | Cornell Chronicle
Submitted by Blake on May 20, 2016 - 8:14am
On a rainy Thursday morning, Contently’s editorial staff cleared our calendars for an hour to dive down the rabbit hole of sensationalism. What we did wouldn’t make any of our old English teachers proud: We retitled 13 classic works of literature and did our best to rid of them of all prestige.
From 13 Classic Works of Literature With Upworthy Titles
Submitted by Blake on May 18, 2016 - 9:46am
This would be a source of pure despair if the internet were not also enabling us to see that before it existed we never agreed about anything either. Before the net, what we read and saw was so tightly controlled by cartels of well-intentioned professionals that dissenting voices were barely heard. True, many of those dissenting voices were wrong and sometimes they were spouting lunacy, but we marginalized all but the one percent of the epistemically privileged. We achieved great science but at a high price throughout the rest of the cultural landscape, and sometimes within science, too.
This fragmentation of knowledge is a fact that knowledge cannot overcome. How, then, do we best live with it? How do we flourish now that we can’t reason ourselves back together?
From Rethinking Knowledge in the Internet Age - Los Angeles Review of Books
Submitted by Blake on May 18, 2016 - 7:59am
Hi.co, a website that allows its users to post “moments” with a photo and annotation, plans a similar trip to the distant future. The operators, Craig Mod (who has also previously written for The Atlantic) and Chris Palmieri, announced today that the site will freeze service in September 2016. However, all posts present in the site’s database at that time will be microprinted onto a two-by-two-inch nickel plate. The entire site—2,000,000 words and 14,000 photos—should fit on a single disk. Several copies will be made and distributed across the globe; the Library of Congress has already been secured as a repository. The plates have a lifespan as long as 10,000 years, and they may be viewed with a 1,000-power optical microscope.
From Archiving a Website for Ten Thousand Years - The Atlantic
Submitted by Blake on May 17, 2016 - 9:52am
However Europe is equally resistant to even discussing copyright limitations and exceptions that don't currently exist in its law, and unfortunately the United States delegation doesn't care enough to push the matter, leaving the heavy lifting to nonprofit stakeholders such as the International Federation of Library Associations and Institutions. Meanwhile, industry groups refuse to countenance any limit on their own monopoly powers, even when such a limit is plainly in the public interest and addresses a pressing need. For example, libraries and archives seek the legal authority to preserve orphan works, and to source and lend works across national borders, while people with disabilities other than blindness or vision impairment need similar flexibilities to those now extended to print-disabled people.
From User Content Platforms Take the Heat for Artists' Struggles at WIPO | Electronic Frontier Foundation
Submitted by Blake on May 14, 2016 - 11:31am
Submitted by Blake on May 11, 2016 - 10:15am